Upcycling Is The New Trend For Sustainable Fashion In Latin America

Bets on sustainable fashion, based on the affective, even on a hedonistic initiative that consists of "transforming waste into desires"
upcycling in latin america

Let's open a debate towards sustainability around the world; What ideas go global?

We live in an era of many dualities and contradictions. On the one hand, conspicuous consumption is derived from capitalism, and on the other the "millennial" generation promoting a new lifestyle, or a critical theory towards consumption.

That is why luxury designers such as Jean-Paul Gaultier used upcycling, in January of this year when he presented his latest collection at the helm of the firm made with materials from previous collections. Vivianne Westwood also worked in that sense on different occasions and was the designer Martin Margiela who made this technique a leitmotif of his career.

Furthermore, the case of Gucci, which started working with a new type of recyclable nylon that can be regenerated countless times. But always, with the head in command, of those who already have a place in the world of design; or better, of those who control it.

So how can we raise a truly sustainable revolution? Where does the social rule in the "sustainable" concept? And Latin America?

There is de convergence of my point, on corrupting the vertical gaze that capitalism itself proposes, owner of fast fashion. Contemplating countries with a high load of artisanal labor, but this time, with an eye on the admiration and appreciation of the work.

Giving a voice to alternative designers, like Jesica Trosman and Martin Churba; those who aim a radical and comprehensive change. Taking sustainability as a real possibility and not just for "some". As a matter of fact, the collection plot starts from industrial workwear, this gives a realistic and conceptual imprint on the phenomenon.

"We are keeping an eye on the workshops that are dying, they are people who know how to do that and nothing else, we should help them so that these family businesses are productive, cooperative places, and that little by little they recover" - Churba

Moreover, believing that in some way, it is to give true place in society to those who are forward to our clothes. It reminds me of the resignification proposed by the avant-garde of Dadaist art. Where the mission was to give a new value to an object recognized by all, with a cry of revolution in between.

This concept is manifested, not only, in the aesthetics elaborated by the designers, from the color palette to the implemented morphologies, but also, in the internal and external social burden, where the awareness of the origin of clothing prevails, impacting directly on our choice of consumption and in turn on the quality of life of many.

Improving the quality of life of those who produce our "protective skin" is synonymous with an honest society. It is a political and redundant conflict. But controlling consumption sounds capricious, and we forget, in part, the reciprocal relationship it has with the previous link, opening doors to the social factor in the sustainable framework, and on the other part, the environmental impact.

Environment and fashion, what is the solution? Although reusing has an end, it invites us to belong to an aspect called "circular economy"; which is a very extensive phenomenon, but emphasize promoting a closer link between user and designer, where the consumer, through the growth of social networks, is aware of the processes involved in their future purchase (clothing).

We can easily see this in the images of Jaramillo, where closeness and conscience reign. It creates a family atmosphere, it sounds achievable, it destroys certain verticalities, they humanize design, removing it from the pedestal of "established artists", their corporality crosses us, transmits ideology, plasticity.

It is a great deal to combine social, economic, political, and environmental aspects in a collection, or in a brand. Jaramillo redoubled the bet, and did "a lot with little", integrating perfectly all the items.

There is only one objection, or question about it, in economic terms, it continues to be an "elite" brand, which in turn incorporates a new language, being inclusive with many people. But couldn't it be taken as an offense? Is it one of the many failed attempts to reconcile horizontality?

I continue opening the debate.

In my opinion, and to conclude, I argue that capsules like these are an advance towards something better, or a more honest society, taking up some concepts raised by the sociologist and architect William Morris. They are not pristine and they are still renowned designers from Argentina, I would like to have the opportunity to show you more about our local and national design.

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Opinions and Perspectives

Style_Iconic commented Style_Iconic 3 years ago

I'm inspired by how they're making sustainability culturally relevant.

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Runway-Signature commented Runway-Signature 3 years ago

The connection between design and social responsibility is powerful.

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Couture_Craze commented Couture_Craze 3 years ago

Perhaps we need to redefine what we consider affordable fashion.

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CoralineX commented CoralineX 3 years ago

These initiatives show how sustainability can preserve cultural heritage too.

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Charlotte commented Charlotte 3 years ago

The blend of social and environmental concerns is what makes this approach unique.

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OutdoorExplorer commented OutdoorExplorer 3 years ago

We need more education about sustainable fashion in mainstream media.

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Selena_Higgins commented Selena_Higgins 3 years ago

Fascinating how they're connecting traditional crafts with modern sustainability.

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Making sustainability inclusive is the real challenge here.

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Think this could work in other regions with strong textile traditions?

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ClarissaH commented ClarissaH 3 years ago

The emphasis on quality over quantity is something we really need to return to.

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Edgy-Elegance commented Edgy-Elegance 3 years ago

Love seeing how different cultures approach sustainability in their own unique ways.

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Been trying to shop more sustainably but information can be overwhelming sometimes.

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StyleGame_Elite commented StyleGame_Elite 3 years ago

Can't help but think about how this connects to broader economic inequality issues.

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Lucia_Flutter commented Lucia_Flutter 3 years ago

The article makes me think about the story behind my own clothes. Where did they come from?

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Vogue_Vibes commented Vogue_Vibes 3 years ago

Wonder if this could create new job opportunities in traditional manufacturing regions.

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SkylaM commented SkylaM 3 years ago

The focus on local production is crucial. We need to rebuild community-based manufacturing.

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Kristina99 commented Kristina99 3 years ago

These initiatives could really help preserve traditional skills for future generations.

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ClioH commented ClioH 3 years ago

It's time we valued clothes properly again. Fast fashion has distorted our perception of worth.

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Miriam_Twinkle commented Miriam_Twinkle 3 years ago

What I love most is how they're preserving cultural techniques while moving forward.

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Luxe_Looks commented Luxe_Looks 3 years ago

The political aspect can't be ignored. This is about workers' rights as much as environment.

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Classy-Glam commented Classy-Glam 3 years ago

Interesting how they're balancing traditional craftsmanship with modern sustainability needs.

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PurelyYou commented PurelyYou 4 years ago

The concept of protective skin resonates with me. Our clothes should have meaning beyond trends.

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Blythe_Rain commented Blythe_Rain 4 years ago

I worry these initiatives might remain niche unless we address the broader economic issues.

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Runway_Bound commented Runway_Bound 4 years ago

The artisanal approach reminds me of the slow food movement. Maybe we need slow fashion too.

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Glam_Finesse commented Glam_Finesse 4 years ago

What about middle ground solutions? Not everyone can afford luxury upcycled pieces but we can all make better choices.

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Mckenna_Simpson commented Mckenna_Simpson 4 years ago

Been following this trend and it's amazing how creative designers get with limited materials.

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Sylvia_Glow commented Sylvia_Glow 4 years ago

The social media aspect is interesting. It's actually helping create transparency in the industry.

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JanelleB commented JanelleB 4 years ago

I'm curious about the actual environmental impact numbers compared to traditional manufacturing.

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CoraBelle commented CoraBelle 4 years ago

The article really highlights the tension between accessibility and sustainability.

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AmariLynn commented AmariLynn 4 years ago

We should be teaching these upcycling techniques in schools. Start the mindset shift early.

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Serena_Mystic commented Serena_Mystic 4 years ago

Reading about Jaramillo's approach makes me hopeful for fashion's future. It feels more human.

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SelahX commented SelahX 4 years ago

The focus on workwear is clever. It grounds the whole concept in reality rather than fantasy fashion.

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TranquilityVibes commented TranquilityVibes 4 years ago

I wonder if these initiatives could work in other developing regions? The model seems adaptable.

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Sky-Wong commented Sky-Wong 4 years ago

The comparison to Dadaism is interesting but I think this movement is more practical than artistic.

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Maybe we need to rethink our whole relationship with clothing. Buy less, but better quality?

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Mia_88 commented Mia_88 4 years ago

The pricing issue is complex. Yes, it's expensive, but fast fashion's cheapness comes at a different kind of cost.

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Emma_J commented Emma_J 4 years ago

Love how they're focusing on building relationships between designers and consumers. That transparency is crucial.

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TianaM commented TianaM 4 years ago

The article raises good points about social sustainability, but what about the environmental impact of shipping these items globally?

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I've visited some of these workshops and the skill level is incredible. We can't let these traditions die out.

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GlowFromWithin commented GlowFromWithin 4 years ago

These Latin American initiatives seem more genuine than the greenwashing we often see from big brands.

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SoulHealingPath commented SoulHealingPath 4 years ago

Just started learning about circular economy and it's fascinating how it could transform fashion.

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Livia_Crystal commented Livia_Crystal 4 years ago

The challenge is scaling these initiatives without losing the artisanal quality that makes them special.

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GretaJ commented GretaJ 4 years ago

I find it inspiring how designers are using industrial workwear as a starting point. It adds such an interesting conceptual layer.

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Runway_Aesthetic commented Runway_Aesthetic 4 years ago

The connection between artisanal work and sustainability makes so much sense. Traditional craftspeople were sustainable before it was trendy.

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Harlow99 commented Harlow99 4 years ago

We can't ignore the economic realities though. Most people can't afford to shop sustainably, even if they want to.

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Has anyone noticed how these upcycled pieces often look better than the original fast fashion items? There's something special about reimagined clothing.

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Trendsetter-99 commented Trendsetter-99 4 years ago

What impresses me most is how Latin American designers are incorporating their cultural heritage into sustainable practices.

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Brielle_Rice commented Brielle_Rice 4 years ago

The article made me think about my own shopping habits. I'm trying to be more mindful but it's not always easy.

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Vanessa_Weaver commented Vanessa_Weaver 4 years ago

Martin Churba's vision for cooperative workshops could be a blueprint for other regions. We need more of this thinking globally.

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Couture_Dreams commented Couture_Dreams 4 years ago

Anyone tried upcycling their own clothes? I started small with basic alterations and it's amazing how much you can transform old pieces.

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Leah commented Leah 4 years ago

The contrast between fast fashion capitalism and millennial sustainable values really resonates with my own internal struggles about consumption.

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CeciliaH commented CeciliaH 4 years ago

It's refreshing to see sustainability being approached from a social angle rather than just environmental. The human element is often overlooked.

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The_DressUp commented The_DressUp 4 years ago

I actually disagree about the elitism argument. We need to start somewhere, and luxury brands often pave the way for more accessible options.

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OrganicFuel commented OrganicFuel 4 years ago

The point about traditional workshops dying out is heartbreaking. These skills have been passed down through generations.

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Closet-Dreams_99 commented Closet-Dreams_99 4 years ago

But aren't we just creating another form of elitism? Sure, it's sustainable, but these pieces are still out of reach for most people.

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CamillaM commented CamillaM 4 years ago

I've been following Jaramillo's work and truly admire their approach to humanizing design. The family atmosphere they create feels genuine.

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Eva_Whisper commented Eva_Whisper 4 years ago

What caught my attention was the comparison to Dadaist art. There's something revolutionary about giving new life to old materials.

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The circular economy concept is fascinating. We need to move away from the throwaway culture that fast fashion has created.

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Dapper_Dresser commented Dapper_Dresser 4 years ago

While I love the concept, let's be real. These upcycled designs are still pretty expensive. How can we make sustainable fashion more accessible to everyone?

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MoveAndThrive commented MoveAndThrive 4 years ago

I appreciate how designers like Churba are trying to save traditional workshops. It's not just about sustainability, it's about preserving craftsmanship and supporting local communities.

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Really interesting to see how Latin America is approaching sustainable fashion. The focus on artisanal labor and local workshops feels more authentic than big luxury brands jumping on the trend.

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