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Japanese author Haruki Murakami is one of the most beloved writers of the last 20 years in any country. Though he has plenty of amazing books in his catalog, many consider his 2011 magical realist novel, 1Q84 his best. Featuring a dual storyline involving alternate timelines taking place in 1984, the book is a clever fantasy entry and praised the whole world over.
Haruki Murakami's book 1Q84 was released in three volumes from 2009 to 2010, with english releases in 2011. It widely regarded as his best novel, and features magical realism and an alternate timeline story taking place in Tokyo in 1984.
Haruki Murakami is known for his understanding of Western culture, and it is perhaps this attention to detail that makes his books so compelling. He had said his main influence is Kurt Vonnegut, and given that author’s appetite for science fiction in his otherwise totally realistic novels, it is easy to see the connection between the two.
Murakami’s parents were both teachers of literature and he was born in the post-WWII period of Occupied Japan. He, much like Japan after the war, had a stiff obsession with Americana.
In his home country, Murakami has taken criticism from the Japanese government, which calls his work “un-Japanese”. This is to say his work does not evoke a sense of nationalism or anything remotely resembling other traditionally successful Japanese writers.
Throughout his career, he has done very well. His 1987 book Norwegian Wood, a play on the Beatles song, is a sad tale about the struggle of mental health between young adults. A film adaptation was released in 2010.
After Norwegian Wood, he released The Wind-Up Bird Chronicle, to critical acclaim and monumental success. It is a story about a man whose wife goes missing and it discusses the boredom of our modern age. A live production of this novel, created by Stephen Earnhart, premiered at the Edinburgh International Festival in 2011.
Next, Murakami dropped his most well-known book, Kafka, on the Shore. The book featured magical realism and a man with an odd relationship to cats. The New York Times named it one of the “Top 10 Best Books of 2005” in their year-end issue.
If you have seen Netflix’s cute Christmas series Dash & Lily, you might remember lead actor Austin Abrams listing Kafka on the Shore alongside J.D. Salinger’s Franny and Zoey as his two favorite books of all time. 
 
Though released in English as one book, totaling over 900 pages, 1Q84 was actually portioned into 3 separate installments in its native language of Japanese. Following an anime-style rollout, it was released in 3 volumes from 2009 to 2010.
With this in mind, 1Q84 is considered one book. After its success, both critically and among fans of Murakami, the book has earned itself a special place in the hearts of fiction readers all around the world. Sam Anderson of The New York Times Magazine called it "A grand, third-person, all-encompassing mega novel." He also said other very celebratory things.
David L. Ulin of The Los Angeles Times noted 1Q84 was "A vision and an act of the imagination." On the other hand, it is only fair to mention that some critics found the massive book disappointing. In a well-known critique he did for The Atlantic, Allen Berra said, " [1Q84] was a big disappointment after years of hype."
Still, the novel has millions of more fans than detractors. The fantastical story of two main characters, both around age 30, is placed against the backdrop of two intersecting timelines in 1984. Our two protagonists are Aomame and Tengo. They exist together in this alternating timeline in 1984.
 
1Q84 refers to several cultural allusions as well as giving us a setting for the book. The title is a callback to George Orwell’s groundbreaking dystopian novel 1984. There is also Japanese wordplay being used here as well. A line is drawn between the letter Q and the Japanese symbol 九, which means “9”.
Therefore 1Q84 is a title that lets us know about the book’s time period as well as what the writer intends to show us with his work. Based on the nod to Orwell, we can expect science fiction and alternate history ideas.
Considering Haruki Murakami’s work and his fondness for clever titles, it is easy to see why this is one of his best. With only the title as a guide, the book’s first printing sold out on the first day of release. Within a month, sales climbed to over one million copies sold.
 
While this book is available in hardcover and paperback, you can also get a boxed set of the original three volumes. They come in a clear collector case with special artwork. If you are more into audiobooks, check out the Audible version of 1Q84.
I am lucky that my job allows me to listen to headphones while I work, as this allows me to catch up on my reading. I first listened to this book at work and the multiple actors and actresses used for the production make it feel immersive and real.
Allison Hiroto speaks for Aomame, and she does a great job of putting the character into our own mind’s stories. She speaks calmly and with grace and poise, exactly how Aomame wishes to portray herself.
If you’re looking for an enjoyable reading experience to devour this mammoth 900-page novel, then consider listening to it on Audible.
 
The short answer here is no. The audio version of the book is over 40 hours long and is as much a theatrical performance as any movie is. The story arcs clash and they are thoroughly thought out. To condense that much material into 2-3 hours of the film would be a daunting task.
However, many fans of the novel push for a film to be made so they can see one of their favorite stories acted out on the big screen. It is easy to sympathize with them.
1Q84 is a novel with a beautiful set piece in the city of Tokyo. Colorful cultural references to automobiles of the 1980s as well as cash culture and jazz music are made throughout the book. It has action scenes as well, and it would certainly be a thrilling adaptation. 
The main problem is the length, as this would be a hard film to make properly. Consequently, no studio is willing to invest the hundreds of millions of dollars it would require to even attempt this mighty feat. But there is still hope, in our current era of streaming. 
Since streaming is so popular these days, it would not shock me to see a series about this book. Perhaps three seasons, one for each volume, would be an appropriate amount of time. That would allow almost 30 hours of material from 1Q84 to making it in.
 
As stated above, there are three volumes of 1Q84 by Haruki Murakami. This three-book strategy was only implemented in Japan, however. On May 29, 2009, Books 1 and 2 were released together.
The first volume is our introduction to the characters and the overall plot and premise of this fantastical story. We are introduced to Tokyo in 1984 and shown around the city with beautifully descriptive prose and interesting conversations between characters and the folks they encounter.
Early on, we are shown that both Aomame and Tengo have an opportunity to engage in risky behavior. While each character responds to this in different ways, it is interesting to note their parallel fates being set up in the parallel universes of 1984 and 1Q84 respectively.
The characters do have certain things in common. On the other hand, they have plenty that is different, as each is representative of a male or female 30-year-old in 1984's Tokyo.
 
Book 2 furthers the story for us. It is where we encounter the real meat of the story as well as the relation Aomame has to Tengo. While it is intentionally vague, at least until the full scope of the story is revealed in Book 3, there are mentions of Tengo and Aomame's connection in Book 1.
In addition to being the volume that fleshes out the story, Book 2 also welcomes us as a member of this universe that Murakami has created. Book 1 keeps us at arm's length while giving us an intimate look into the characters. Book 2 has more expository information and helpful clues to the secret world of 1Q84.
 
For the purposes of our spoiler-free synopsis, we are not going to go into the details of Book 3. What we will say is that in Tengo's storyline in Book 1, a great tale is set up. Tengo is a writer and teacher, and the first thing introduced in the description of his character is an opportunity for him to rewrite a prodigal girl's first novella, Air Chrysalis.
This story is slowly roped into the real plot of the story and its significance becomes clear in Book 3. However, throughout the book, while we are noticing parallels between this fictional book Air Chrysalis and the book of fiction 1Q84, we are still unsure how they connect.
Book 3 reveals the intricate details of those connections. With that being said, it is still important to let the audience know that a book of almost 1000 pages leaves plenty of questions unanswered as well. Murakami wants us to think. He wants the magical world of 1Q84 to live in our heads as nagging, thoughtful, and philosophical questions for the rest of our lives.
 
Tengo and Aomame are our two main characters in 1Q84. Tengo is a teacher at a cram school in Japan, and in his free time, he writes novels and articles. He has a hard time publishing any work and the opportunity to edit Air Chrysalis is his chance to break through into the big time.
Aomame studied sports medicine and works at a health club where she does personal training. She is well-versed in self-defense and although she says she is not a feminist, she holds a special place for the protection of women in her heart. Aomame is a girl who makes it her personal responsibility to take vengeance on men who have hurt women.
Indeed, the reasons for both characters’ motivations are made abundantly clear as they navigate their parallel worlds and try to uncover the mysteries of the story. Religious cults, communist farming organizations, and odd astrological phenomena pervade the book as well, forcing us to question the reality of 1Q84.
The book is reread by many people who enjoy it, for the simple fact that a book this long takes multiple readings to fully digest. With a plot this complex, it is a hard book to spoil.
Owing to its extremely specific prose, Murakami's place in the global literary culture, as well as his undying penchant for magical realism, 1Q84 has cemented itself as one of the greatest challenges to serious readers of the 21st century.
This book is extremely rewarding to those who dedicate the time to unraveling its deep and rapacious mysteries. In other words, if you've made it this far into the article, give it a shot!
 DataPhantomX
					
				
				3y ago
					DataPhantomX
					
				
				3y ago
							Comparing this to Orwells 1984 really helped me understand the dystopian elements.
 Radiate_Confidence_360
					
				
				3y ago
					Radiate_Confidence_360
					
				
				3y ago
							Impossible to fully grasp everything in one reading. Each time reveals something new.
 QuantumSurge
					
				
				3y ago
					QuantumSurge
					
				
				3y ago
							Its fascinating how Murakami combines mundane details with supernatural elements.
 KenzieRae
					
				
				3y ago
					KenzieRae
					
				
				3y ago
							The philosophical questions it raises are still rattling around in my brain months later.
 Heart_Centered_Living_101
					
				
				3y ago
					Heart_Centered_Living_101
					
				
				3y ago
							Funny how a Japanese author captured the 1980s zeitgeist so perfectly.
 OConnell_Observations
					
				
				3y ago
					OConnell_Observations
					
				
				3y ago
							This book changed how I think about reality and perception. Simply incredible.
 Camila_Hughes
					
				
				3y ago
					Camila_Hughes
					
				
				3y ago
							The writing style takes some getting used to but once you're in, you're hooked.
 Monica-Perkins
					
				
				3y ago
					Monica-Perkins
					
				
				3y ago
							I appreciate how Murakami leaves some questions unanswered. Makes you think long after finishing.
 Porter_Perspective
					
				
				3y ago
					Porter_Perspective
					
				
				3y ago
							Reading this book felt like solving a puzzle. Each piece slowly falling into place.
 Oscar_Speeches_Addict
					
				
				3y ago
					Oscar_Speeches_Addict
					
				
				3y ago
							Never thought I'd be so invested in a story about a math teacher and a fitness instructor.
 GraceB
					
				
				3y ago
					GraceB
					
				
				3y ago
							The way reality shifts throughout the story is mind-bending. Still not sure what was real and what wasnt.
 SacredSelf_Care_111
					
				
				3y ago
					SacredSelf_Care_111
					
				
				3y ago
							I wish more people would give this book a chance. Yes its long but so worth it.
 GlowModeOn
					
				
				3y ago
					GlowModeOn
					
				
				3y ago
							Anyone else find themselves looking up at the moon differently after reading this?
 Mason
					
				
				3y ago
					Mason
					
				
				3y ago
							Interesting how Murakami's Western influences shaped this story. You can really see the Vonnegut inspiration.
 BelieveAchieve
					
				
				3y ago
					BelieveAchieve
					
				
				3y ago
							The parallel narratives were confusing at first but everything clicked about halfway through.
 Wholehearted_Living_555
					
				
				3y ago
					Wholehearted_Living_555
					
				
				3y ago
							I was skeptical about magical realism but this book completely won me over.
 FilmFanatic_88
					
				
				3y ago
					FilmFanatic_88
					
				
				3y ago
							That clear collector case set is beautiful. Definitely worth the investment for serious fans.
 DataWandererX
					
				
				3y ago
					DataWandererX
					
				
				3y ago
							I loved how the 1984 setting played into everything. The historical context really enriched the story.
 GlitchHacker
					
				
				3y ago
					GlitchHacker
					
				
				3y ago
							Reading this made me want to explore more of Murakami's work. Starting Kafka on the Shore next.
 HBO_MaxedOut
					
				
				3y ago
					HBO_MaxedOut
					
				
				3y ago
							Anyone else catch all the music references? The jazz elements really added to the atmosphere.
 HollywoodActorFan_Mila
					
				
				3y ago
					HollywoodActorFan_Mila
					
				
				3y ago
							Air Chrysalis is such an interesting story within the story. I keep thinking about its deeper meaning.
 Luna_Morris
					
				
				3y ago
					Luna_Morris
					
				
				3y ago
							The way Murakami blends Western and Japanese elements is fascinating. No wonder the Japanese government calls his work un-Japanese.
 Collins_Commentary
					
				
				3y ago
					Collins_Commentary
					
				
				3y ago
							Not sure I agree with The Atlantic's negative review. They missed the point completely.
 Anastasia_Mystic
					
				
				3y ago
					Anastasia_Mystic
					
				
				3y ago
							The George Orwell connection in the title is brilliant. Really sets up the dystopian elements perfectly.
 Fearless-And_Free_2024
					
				
				3y ago
					Fearless-And_Free_2024
					
				
				3y ago
							I struggled with the first 200 pages but then couldn't put it down. Its like Murakami created his own genre.
 SithLordVibes
					
				
				4y ago
					SithLordVibes
					
				
				4y ago
							Absolutely! A streaming series would be perfect. Each book could be its own season.
 DramaMovieCritic
					
				
				4y ago
					DramaMovieCritic
					
				
				4y ago
							Does anyone else think a Netflix series would work better than a movie? They could do justice to all three books.
 NoelleH
					
				
				4y ago
					NoelleH
					
				
				4y ago
							I actually loved how Murakami took his time developing the characters. Felt like I really knew Aomame and Tengo by the end.
 PopHitsOnly
					
				
				4y ago
					PopHitsOnly
					
				
				4y ago
							The audiobook version really helped me get through it. Those 40+ hours flew by with the excellent narration.
 PrimeTimePaul
					
				
				4y ago
					PrimeTimePaul
					
				
				4y ago
							I agree about the length. This book is like a slow-burning candle that needs time to reveal all its secrets.
 DreamHorizon
					
				
				4y ago
					DreamHorizon
					
				
				4y ago
							The length is part of what makes it special. You need time to get lost in that world with two moons.
 LostInTime
					
				
				4y ago
					LostInTime
					
				
				4y ago
							Am I the only one who thinks this book could have been shorter? Some parts felt unnecessarily drawn out to me.
 Milbank_Memo
					
				
				4y ago
					Milbank_Memo
					
				
				4y ago
							Yes! The Little People gave me chills. I had trouble sleeping after some of those scenes.
 LenaJ
					
				
				4y ago
					LenaJ
					
				
				4y ago
							I found the religious cult aspects particularly disturbing. Anyone else feel the same way?
 Noah_News
					
				
				4y ago
					Noah_News
					
				
				4y ago
							It took me three months to read this book but it was worth every minute. The way Murakami weaves together Aomame and Tengo's stories is simply masterful.
 QuantumTravelerX
					
				
				4y ago
					QuantumTravelerX
					
				
				4y ago
							I just finished 1Q84 and I'm still trying to process everything. The parallel universes and magical realism really messed with my mind in the best possible way.